Description
Artist: ANONYMOUS
Size: 41 7/8 x 27 7/8 in./106.3 x 70.8 cm
Condition: Cond B+/Slight tears and stains at edges.
Printer: W.J. Morgan & Co. Lith., Cleveland
Reference:
Barlow, Wilson & Co’s Mammoth Minstrels. ca. 1885.
In the United States, the variety show first manifested itself in the form of the minstrel show, a blend of popular music, dance and comedy performed by Caucasian men–and women in the case of the Barlow, Wilson & Company’s Mammoth Minstrels–wearing burnt cork facial makeup while speaking and singing in “Black” dialects. Originating in the 1820s, the blackface acts quickly spread throughout America and England, becoming a staple of the music hall scene. Typically, the focus of these shows were “‘aristocratic niggers’ and ‘Dandy Broadway Swells’ [who] preened and pranced their way to ‘De Colored Fancy Ball’ and other continual parties. While illustrating just how ridiculous Negroes could be when they tried to live like white ‘gem-men,’ these characters also lampooned frivolous whites who wasted their lives in unproductive dilettantism . . . Minstrel’s completely self-centered dandies . . . epitomized these pretentious upstarts at their worst” (Blacking Up: The Minstrel Show in Nineteenth-Century America, by Robert C. Toll, pp. 68-69). This, however, wouldn’t appear to be the case whatsoever in this lineup of “The People’s Choice,” a sophisticated troupe dedicated to “The Aesthetic Song & Dance,” not reinforcing severe negative stereotypes. Rare!